Eve Essex / Lea Bertucci / Armbruster
Thursday, Aug. 15, 8-10:30pm
Get Tickets HERE
The Avalon Lounge
29 Church St
Catskill, NY
Eve Essex is a composer and multi-instrumentalist based in Brooklyn, NY. She performs with woodwinds and voice, accompanied by instrumental ensembles, and by electronic arrangements that use synthesizers, drum machines, live processing, and other sounds. Her work slides easily from structured electronic pop to open-ended melodic explorations and big-band arrangements. She has scored film soundtracks, written music for installation and performance art, and explored prog, jazz, and electroacoustic ideas with groups including The Fabulous Truth, Das Audit, and a host of other collaborations. Essex’s second solo album, The Fabulous Truth, will be released by Soap Library in June 2024. Her debut solo album, Here Appear, was jointly released by Soap Library (cassette) and Sky Walking (LP) in 2018. In the summer of 2024, she is a Composer In Residence at Crosstown Arts in Memphis, TN. As a featured instrumentalist, she has contributed to works by The God In Hackney, Peter Gordon & Love of Life Orchestra, James K, Kevin Kenkel, Liturgy, Colin Self, Mike Shiflet, UCC Harlo, and Peter Zummo, among others.
https://www.youtube.com/watch?v=juoUn26J5ao
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Lea Bertucci is an artist, composer and performer whose work describes relationships between acoustic phenomena and biological resonance. In addition to her longstanding practice with woodwind instruments, her work incorporates multichannel speaker arrays, radical methods of free improvisation and creative misuses of audio technology applied to field recording and sampling/collage techniques. In recent years, her projects have expanded toward site-specific and site-responsive sonic investigations of architecture and acoustics, most notably in 2018’s Acoustic Shadows, a suite of compositions and sound installation that took place as part of the Bruckenmusik Festival, inside the hollow body of the Deutzer bridge in Koln Germany. Her autodidactic and idiosyncratic approach to music is marked by dense masses of sustained dissonance and a fascination with the sonic substance of common experience through eccentric methods of field recording and collage. Tape manipulation and other creative recording techniques push the limits of the recorded medium to elicit a visceral sonic and emotional experience from the listener.
http://lea-bertucci.com/
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Connor Armbruster is a composer and violinist who is talking to old churches while exploring spacial improvisation, organa, spoken word, trad music, and “found footage freak folk.”
https://armbrustersounds.com/